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Leading AI Expert Leaves Field to Pursue Poetry Amidst Growing Concerns

An OpenAI researcher’s resignation has been reported this week, citing concerns over the company’s recent move to initiate trials of advertisements within ChatGPT.

A researcher specializing in AI safety has left his position at Anthropic, a US-based company, with a parting warning that the global situation is precarious.

Black and white Anthropic logo displayed on a smartphone screen.

Mrinank Sharma's resignation letter, posted on X, cited concerns regarding AI, bioweapons, and the broader state of the world as reasons for his departure from the firm.

Sharma intends to shift his focus to creative pursuits, including writing and studying poetry, and plans to relocate to the UK, where he aims to maintain a lower profile.

This development coincides with the resignation of an OpenAI researcher, who expressed concerns about the company's decision to introduce advertisements in its ChatGPT platform.

Anthropic, the developer of the Claude chatbot, had recently released a series of commercials criticizing OpenAI's move to include ads for certain users.

Founded in 2021 by a group of former OpenAI employees, Anthropic has positioned itself as a leader in safety-oriented AI research, distinguishing itself from its competitors.

During his tenure at Anthropic, Sharma led a team focused on developing safeguards for AI systems.

In his resignation letter, Sharma highlighted his contributions to the company, including research on the potential risks of AI-assisted bioterrorism and the impact of AI assistants on human behavior.

Despite his positive experience at Anthropic, Sharma felt that it was time for him to move on, citing a sense of unease about the company's priorities.

In a statement, Sharma warned that the world faces numerous interconnected crises, posing threats beyond just AI and bioweapons.

He noted that despite the company's values, he had witnessed the challenges of prioritizing them in the face of competing pressures, a struggle he believed was not unique to Anthropic.

Sharma announced his plans to pursue a degree in poetry and focus on writing, marking a significant departure from his previous work in AI research.

In a subsequent response, Sharma mentioned that he would be relocating to the UK and taking a step back from public life for a while.

It is not uncommon for individuals leaving prominent AI firms to do so with substantial financial compensation and benefits, having been attracted to these companies by lucrative salary packages.

Anthropic describes itself as a public benefit corporation committed to harnessing the benefits of AI while mitigating its risks.

The company has specifically focused on addressing the potential dangers posed by advanced AI systems, including the risk of these systems becoming misaligned with human values or being exploited for malicious purposes.

Anthropic has released reports on the safety of its products, including an incident in which its technology was compromised by hackers to carry out sophisticated cyber attacks.

However, the company has faced criticism for its practices, including a $1.5 billion settlement in 2025 to resolve a class-action lawsuit filed by authors who claimed that Anthropic had used their work without permission to train its AI models.

Like OpenAI, Anthropic seeks to capitalize on the benefits of AI technology, including through the development of its own AI products, such as the Claude chatbot.

The company recently released an advertisement criticizing OpenAI's decision to introduce ads in its ChatGPT platform.

OpenAI CEO Sam Altman had previously expressed his dislike for ads, stating that he would only consider using them as a last resort.

In response to Anthropic's criticism, Altman defended OpenAI's decision, but his lengthy statement was met with ridicule.

In an opinion piece published in the New York Times, former OpenAI researcher Zoe Hiztig expressed her deep concerns about the company's strategy, particularly with regards to advertising.

Hiztig noted that users often share sensitive information with chatbots, including medical concerns, personal problems, and beliefs, which could be exploited by advertisers.

She warned that the use of this sensitive information for advertising purposes could have unintended consequences, including the potential for manipulating users in ways that are not yet fully understood.

Hiztig expressed fears that OpenAI's approach to advertising may already be undermining the company's core principles, which prioritize the well-being of humanity.

She cautioned that if OpenAI's advertising strategy does not align with its values, it may accelerate the erosion of these principles.

BBC News has reached out to OpenAI for a response to these concerns.

To stay up-to-date on the latest tech news and trends, sign up for our Tech Decoded newsletter; for readers outside the UK, please use this link.

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Business

Veteran Designer of Hello Kitty Retires After 46-Year Tenure

Under Yuko Yamaguchi’s guidance, the feline character achieved global icon status.

After a 46-year tenure, the creator of Hello Kitty is relinquishing her design role, marking the end of an era for the beloved character that has become a global phenomenon.

A woman holds up a Hello Kitty soft toy to take a photo with her phone. Behind the toy there is a large pink Hello Kitty head
Hello Kitty is a globally recognised brand

In 1980, Yuko Yamaguchi assumed design responsibilities for Hello Kitty, a character that, despite being commonly perceived as a feline, is actually a little girl from London, five years after the character's initial launch.

During Yamaguchi's four-decade stewardship, Hello Kitty has evolved into one of the most successful franchises worldwide, with its popularity extending far beyond its origins in Japan.

Sanrio, the company behind Hello Kitty, has expressed its gratitude to Yamaguchi, stating that she has "passed the torch" to the next generation of designers.

The launch of Hello Kitty coincided with the rising global popularity of Japanese 'kawaii' culture, a distinctively feminine and youthful aesthetic that has become a cultural phenomenon.

Yamaguchi often embodied the Hello Kitty spirit by wearing dresses inspired by the character and styling her hair in buns, reflecting her deep connection to the brand.

Now 70, Yamaguchi has been credited by Sanrio with transforming Hello Kitty into a universally beloved character, as noted on the company's website.

Sanrio has announced that one of its designers, known by the pseudonym "Aya", who has been working alongside Yamaguchi, will take over as the lead designer by the end of 2026.

Although Yamaguchi is stepping down from her design role, she will remain with Sanrio to offer guidance and support.

Hello Kitty first appeared on a coin purse in 1974, but it was in 1980 that the character began to gain widespread recognition, eventually becoming a global marketing sensation.

The character has been featured on a wide range of products, including clothing, accessories, video games, and even an Airbus plane, and has partnered with notable brands such as Unicef, Nintendo, and Balenciaga, as well as making an appearance as a float in the Macy's Thanksgiving Day Parade.

Hello Kitty-themed cafes can be found worldwide, and there is a dedicated theme park in Japan, with another park slated to open in China.

Unlike other popular Japanese exports, such as Pokemon, Hello Kitty has a relatively minimal backstory, with Sanrio describing her as "not quite a cat, but not a human either".

According to Sanrio, Hello Kitty was born in London, has a twin sister named Mimmy, and a boyfriend named Dear Daniel, although these details are not widely emphasized in the character's marketing.

A Warner Bros film featuring Hello Kitty is scheduled for release in 2028, marking the character's cinematic debut, although she has previously appeared in several animated series, always without speaking, due to her design lacking a mouth.

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Business

US inflation slows as used vehicle prices decline

According to the most recent official data, prices increased by 2.4% over the 12 months ending in January, marking the smallest gain since May.

The US experienced a slowdown in inflation last month, driven by decreases in energy and used car prices.

A person in a black and white striped shirt with a pony tail walks past a parking lot of used cars. There is a large American flag hanging under the sign and a large white truck on display.

According to the Labor Department, the consumer price index increased by 2.4% over the past 12 months, ending in January, marking a decline from the previous month's 2.7% and the slowest rate since May.

This development may support the argument made by US President Donald Trump and others that the central bank has the flexibility to lower interest rates without triggering a surge in prices.

However, analysts caution that progress toward the Federal Reserve's inflation target of 2% may be hindered in the coming months if companies begin to pass on tariff costs to consumers more extensively.

Neil Birrell, chief investment officer at Premier Miton Investors, noted that the impact of tariffs remains uncertain and pointed out other data anomalies that could have influenced the January figures.

Birrell stated that the January report is likely to pave the way for a potential rate cut in the near future.

He added that the US economy appears to be performing well, with strong growth, stable inflation, a robust job market, and a Federal Reserve that has the ability to adjust its policies as needed.

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Artist Alleges AirAsia Used His Work Without Permission

A street artist from Penang has reported that one of his artworks has been replicated and featured on the design of an airplane.

A lawsuit has been filed by a Malaysian-based artist against AirAsia and its parent company, Capital A Berhad, alleging unauthorized use of the artist's designs on one of the airline's planes.

A low-resolution image of an AirAsia aircraft with artwork children cycling printed on its side. The passenger plane is pictured parked in an airport
Artist Ernest Zacharevic is sueing AirAsia over the use of a livery on one of its jets in 2024

According to the lawsuit, Ernest Zacharevic, a Lithuanian-born artist residing in Penang, claims that his 2012 street mural, Kids on Bicycle, was reproduced and displayed on an AirAsia aircraft in late 2024 without his permission.

Zacharevic states that the use of his design was unauthorized, and no licensing agreement or consent was obtained, adding that the livery was removed after he publicly expressed concerns about the matter.

The BBC has reached out to AirAsia for a statement regarding the allegations.

In an interview with the BBC on Thursday, Zacharevic recalled that he first became aware of the alleged copyright infringement in October 2024, when he discovered that an AirAsia plane was featuring a livery resembling his artwork.

With over a decade of experience in Malaysia, Zacharevic is known for his roadside murals in Penang, which have become a staple of the local art scene.

One of Zacharevic's notable works is the 2012 street mural Kids on Bicycle, created for a local festival, which features two children on a bicycle integrated into the mural, located in George Town's heritage district.

The mural has become a popular tourist attraction, with many visitors taking photos in front of the iconic artwork.

Zacharevic alleges that his work was reproduced on an AirAsia plane without his knowledge or consent, and he personally witnessed the plane in operation at an airport.

Recalling the incident, Zacharevic expressed his discomfort with the situation, which occurred in 2024.

He took to social media to address the issue, posting a photo of the plane and tagging the airline, suggesting that they needed to discuss the use of his artwork.

A photograph of a wall mural, depicting two children in white tops. The images in painted to show the children seated on a real-life bicycle.
Zacharevic painted Kids on Bicycle, a famous wall mural in Penang, in 2012

Since then, Zacharevic has engaged in discussions with the company, but they have been unable to come to a mutually agreeable resolution.

This is not the first instance of Zacharevic's work being used in connection with AirAsia, as he claims the airline has also used his artwork on a delivery bag for its food services arm.

Court documents reveal that Zacharevic had previously discussed a potential collaboration with AirAsia in 2017, where he would create art for the airline's jets and a mural in one of their offices.

According to the documents, Zacharevic had informed the airline of his work and business rates during these discussions.

The lawsuit asserts that despite being aware of Zacharevic's work and rates, the airline proceeded to reproduce and publicly display one of his notable works, thereby infringing on his copyright and moral rights.

As the largest low-cost carrier in Asia, AirAsia operates over 200 jets to more than 100 destinations, and has recently announced plans to resume flights from Kuala Lumpur to London via Bahrain.

Zacharevic has stated that he will leave it to the court to determine any potential compensation he may be entitled to.

The artist emphasized that he does not consider the use of his artwork to be a mere reference to cultural or geographical associations, but rather a distinct artistic creation.

Zacharevic stressed that his artwork is the result of years of professional training, skill, and labor, and should be recognized as such.

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